Oil Painting
Jenelle Symonds
Nell Symonds is a West Australian Oil painter. She paints still life’s and landscapes in a representative style.
Artist Profile
Nell Symonds grew up in small townships in Western Australia and now resides in Mandurah on Perth’s south coast. Her connection to the Australian landscape, particularly the bushland and flora, has been a strong influence on her artistic development. Initially pursuing art during her school years, it wasn’t until adulthood that she embraced it as a professional path, mostly self-taught. While travelling in her 20s, she began drawing still life and portraits in charcoal and graphite, later transitioning to oils under the guidance of acclaimed artist Anya Brock, who encouraged her to focus on subjects that resonated deeply.
Nell’s signature style emerged from painting green pears against a dark backdrop, inspired by the play of light and shadows in her own kitchen. This exploration of contrast extended into her landscape work, reflecting her fascination with light and form. She draws influence from Australian artists like David Moore and Clifford How, valuing their ability to capture stillness and expression. Nell has been a finalist in several prestigious art awards, including the National Emerging Art Prize, and has exhibited at the Affordable Art Fair and in group shows across Australia.
Artist Interview
What medium do you work with, and why have you chosen them?
I drew for many years in charcoal and graphite. I struggled with colour. I tried acrylics but I just didn't like them. They dry too fast. And I am too slow. In my early thirties I managed to try some oil paint and I was sold. The butteriness, the colour, the smell, the feel. It was all so delicious. I could help myself, I had to keep painting.
How does your artwork get from initial concept to exhibition stage?
I collect vintage ceramics. Jugs mainly but also cups and vases. I like to pair them with something natural. Maybe a native that is in season, or a friends nasturtiums. Then I set them up in a still life setting and play with lighting to get a good shine on the glaze and above all, beautiful shadows.<p><p> Then I work up and under drawing in conte creyon on the canvas. Once i am happy with the placement and negative space, I begin with colour. I mainly paint in one layer, going for 90% of the detail in the first pass. I start with the jug, then the floral. Then the shadows. The background and foreground are last.
Can you tell us a little more about your creative working environment/studio?
I am very fortunate to have a studio at home in the house. I have dedicated working days but being at home means I can pop in whenever I have a few hours free to paint or sometimes just to look.
Career Highlights
- Campaign Artist for The Sydney Affordable Art Fair 2024
- National Emerging Art Prize Finalise 2022
- Lethbridge 20000 FInalist 2024
