Mixed Media

Harriet Links

Harriet Links is an emerging artist residing in Clifton Beach, Southern Tasmania. She draws inspiration from a profound curiosity shaped by global travels and diverse life encounters. Her artistic journey seeks to unravel the complexities of identity and explore the contemporary female experience. Delving into the intricacies of the human condition, Harriet's work is a visual testament to ongoing self-discovery. Her current practice explores the juxtaposition of stillness and movement, featuring the equine form as a symbolic reference to the struggle within every individual. Using acrylics and mixed media, Harriet transforms these equine figures into vibrant reflections of her inner self, inviting viewers to contemplate their own journey within the shared human experience. With a Bachelor of Fine Arts and a full-time dedication to painting since 2023, Harriet's work has graced exhibitions across Tasmania and Mainland Australia. She has successfully held three solo shows in Hobart and Melbourne in 2024/2025. Harriet was recently selected as a finalist in 'The Next Big Thing' Art Prize 2025, at The Toowoomba Gallery, Queensland and is a finalist in Lethbridge Landscape prize, Brisbane.

Artist Profile

Harriet Links is an emerging artist based in Clifton Beach, Tasmania. Her practice draws on a deep curiosity shaped by travel and life experience, exploring identity, the female experience, and the tensions within the human condition.

Working primarily with acrylic and mixed media, Harriet uses the equine form as a recurring motif—symbolising strength, vulnerability, and the internal struggle between stillness and movement. Her compositions often feature expressive brushwork and broad negative space, offering moments for reflection and resonance.

Since committing to painting full-time in 2023, she has held solo exhibitions in Hobart and Melbourne and been named a finalist in both The Next Big Thing Art Prize (Toowoomba Gallery, 2025) and the Lethbridge Landscape Prize.

Artist Interview

What medium do you work with, and why have you chosen them?

My process starts with observational drawing and photographs. I gather found objects, usually from nature, to use for mark making and scratching back into the layers of paint bringing life and depth. My work is intuitive and gestural. Colour selections come from memories and feelings that I have experienced first hand and there is little planning; the forms just come to me in their own time. I like to use acrylic paint, water soluble pastel and pencil to produce rich textures and layers.

How does your artwork get from initial concept to exhibition stage?

Luckily I have a generous sized studio, as I love making large work. I usually wrap canvas on my long seven metre wall. Firstly the base layer of acrylic paint is put down and then the mark making begins. Over days, weeks and months I add to these using gestural portions of paint. I spend many hours just looking. Once I have decided the direction the painting wants to take me I add and remove sections to create interesting compositions. Once finalised I then stretch the painting onto canvas. I also love working on five or six paintings at once. This freedom means that I can express myself more clearly, without getting bogged down or stuck artistically.

Can you tell us a little more about your creative working environment/studio?

I feel very grateful to live in a beautiful corner of Tasmania on a five acre property with family and animals. My home studio is a place where I feel grounded and present. Being connected to nature is important and this environment is perfect for me to engage in my painting practice on a full time basis.

Career Highlights

  • Finalist: Lethbridge Landscape Prize 2025
  • Solo Exhibition: Brunswick Street Gallery, Melbourne & SOCIAL, Salamanca, Hobart, 2025
  • Work showing at The Melbourne Affordable Art Fair, 2025