Oil Painting

Sasha Hart

Sasha Hart is a an emerging artist based in Sydney (Gadigal). Hart's paintings delve into the psychological dimensions of everyday experience, blending figuration with surrealist elements. Her work combines the familiar with the uncanny, inviting reflections on memory, identity and the subconscious.

Artist Profile

Sasha Hart is a an emerging artist based in Sydney (Gadigal). Hart’s paintings delve into the psychological dimensions of everyday experience, blending figuration with surrealist elements. Her work combines the familiar with the uncanny, inviting reflections on memory, identity and the subconscious.

Born in Lismore NSW (Bundjalung), Sasha Hart moved to Sydney in early 2023 to pursue study at the National Art School. Since then, she has honed her painting practice to reflect her philosophical interests and personal experiences of growing up with a twin. In 2024 she was selected as a finalist for the Mosman art prize and in 2025 was chosen for the Salon Des Refuses at S.H.ervin gallery.

Artist Interview

What medium do you work with, and why have you chosen them?

I work in oil paint predominately. Oil is an interesting medium in that it has such a long history but is still used today to convey contemporary ideas. It was William de Kooning who said that the reason oil paint was invented was to paint flesh, and I find that its smooth viscosity and slow drying time accommodates my way of working.

How does your artwork get from initial concept to exhibition stage?

I am constantly thinking about my paintings and what my next one can be. The planning process before is important as I feel it frees me up when I get into the actual painting. I often will work from photographs that I have taken and doctor them through photoshop or another editing site to collage or play with the kinds of effects which may emerge on the canvas. Experimentation is also important to the paintings, while the planning process is a constant, I also like to explore other ideas on a spare piece of paper, or cut-off, doing many sketches and colour studies alongside.

Can you tell us a little more about your creative working environment/studio?

Right now I'm in the final year of my undergraduate degree at the National Art School. This means that (luckily) I have a studio space of my own on campus. I love my studio and will go there whenever I can. It acts like respite from all the chaos around me while at the same time being like a hyper-focused sometimes quite tense space.

Career Highlights

  • Selected for Salon des Refuses, 2025
  • Mosman art prize finalist, 2024
  • "Absense" group exhibition, Central Space Gallery, 2025.