Oil Painting
Melissa Ritchie
Born in Georgia, USA, Melissa grew up in Australia and paints from her Illawarra based studio on the NSW South Coast. Melissa is also known for her realist style still life paintings featuring a colourful array of everyday objects.
Artist Profile
Born in Georgia, USA, Melissa grew up in Australia and paints from her Illawarra based studio on the NSW South Coast. Melissa is also known for her realist style still life paintings featuring a colourful array of everyday objects.
Predominately an oil painter, Melissa Ritchie has been a finalist in many of Australia’s art prizes including the Archibald Prize, Portia Geach Memorial Award, Kilgour Prize, Shirley Hannan Portrait Prize, Lester Prize (formerly Black Swan), Brisbane Portrait Prize and the Percival Portrait Prize.
Artist Interview
What medium do you work with, and why have you chosen them?
I primarily work with oil paints for my still life compositions. Oil paint offers a richness and depth of color that allows me to capture both the subtle and dramatic variations in light and texture that still life demands. Its slow drying time gives me the flexibility to blend and refine details, which is essential in achieving the realism and vibrancy I aim for in my work. I’m drawn to the traditional qualities of oil painting, it connects me to a long lineage of artists while still allowing for a contemporary interpretation of everyday subjects.
How does your artwork get from initial concept to exhibition stage?
My process begins with inspiration from everyday objects, often those with personal or nostalgic significance. I start by arranging compositions in my studio, carefully considering light, shadow, and color relationships. Once I’m satisfied with the setup, I take a series of reference photographs and sometimes create preliminary sketches to refine the composition. From there, I begin the oil painting, working in layers to build depth and realism. This stage can be quite meticulous, as I pay close attention to detail and texture. Once a piece is complete and fully dry, I varnish it to protect the surface and enhance the colors. Preparing for an exhibition involves curating a cohesive body of work, framing each piece, and often collaborating with galleries to ensure the presentation reflects the spirit of the paintings. It’s a rewarding process, from concept to completion, that allows me to share my perspective on the beauty of ordinary objects.
Can you tell us a little more about your creative working environment/studio?
My studio is a bright, quiet space where light plays a key role, it’s essential for observing subtle shifts in tone and shadow, which are so important in my still life work. I keep the space organised yet filled with objects that inspire me: vintage finds, crystal glassware, and everyday items with character and history. These often become the subjects of my paintings. There’s a calm, focused atmosphere in the studio. Every element, from the layout of my materials to the way light moves across the room during the day, is chosen to support a mindful, detail-oriented practice. It’s a space where observation, patience, and creativity come together.
Career Highlights
- Archibald Prize Finalist 2016
- Doug Moran National Portrait Prize Semi-finalist 2021
- Postcards from the Edge Art Prize – First Prize 2016 and Second Prize 2022